This is a beveled geometric stylization of the Albanian Eagle

This is a beveled geometric stylization of the Albanian Eagle

Albanian flag with a geometric double headed eagle and circular cropping

Albanian flag with a geometric rectangular double headed eagle

This is a representation of Sam Diellor Luani’s coat of arms. Against a deep sable field, the visage of a golden lion dominates the shield — its features bold and symmetrical, the eyes a vivid azure that pierce the darkness. From the leonine face radiate stylized golden sunbeams, their form echoing both the mane’s natural spread and the ordered geometry of a solar emblem.

This piece is one of my earliest and most enduring typographic explorations — originally drawn entirely by hand in the 1990s, and here presented in a subtly beveled, luminous gold rendition. I

The central S-shape of this image is my signature stylization of the “S-dragon” concept. More than a logo, it has served as my personal “genius seal” across various creative works for many years.

The reason why my most emotional works in visual art are in red and black is the Albanian flag. This work is a tribute to this flag and the Albanian Eagle.

This image from 1997 was the first “pilot work” in my first collection of space images, born from the same poetic seed as the rest: an old Swedish poem of mine about “newborn stars watching through the mist, like curious eyes.”

Item Identity: SDL2025-G01C02-I18 Title: Old Cave Wall Artist: Sam Diellor Luani Collection: SDL InnerSpace Origins Section: Raster Retro...

This work is one of my earliest topographic works—assembled in 1996 using a montage of vector shapes with solid and textured fills, then beveled, embossed, and refined in Photoshop. It wasn’t created to be a texture, but as a standalone work of art. Still, it has served as a foundational source for several textures over the years.

This is one of my oldest “asteroid textures,” created in 1995—long before SDL InnerSpace had a name. It’s never been used in any work, but it’s stayed with me for decades. Why? Because it was a moment of discovery.

This is the cover image of SDL InnerSpace Origins—a gateway and tribute to the earliest seeds of my digital creativity.

This vector was sketched in 1996 in Macromedia Flash and Micrografx Designer, from a bad raster, a poorly rendered splash stain

A surreal pastiche assembled in PowerPoint in 2024, this image features a sentient spoon seated at a dinner table, smiling with gleaming teeth. The spoon was originally drawn in 1993

This 1994 piece is one of my oldest intentional pastiches in digital art, designed to pretend to be highlighting the anatomy of digital clipart. It doesn’t depict a fish—it depicts the idea

This image could be a technical drawing of a mechanical or structural component shown in two views.

This image was created in 1994, as a part of a longer study in transforming meaningless clipart into meaningful art.

Created in 1994, Night Bride is a study in visual paradox and character design. It features a single face that morphs into two or three identities depending on which features are emphasized.

This 1994 vector drawing is a masterclass in kitsch management. Castle Of Horror begins with a cliché—gothic towers, bats, and a moonlit sky—but transforms it into a poetic pastiche.